{"id":567,"date":"2018-01-16T20:38:07","date_gmt":"2018-01-16T19:38:07","guid":{"rendered":"http:\/\/classicallradio.com\/articles\/?p=567"},"modified":"2022-03-26T16:19:30","modified_gmt":"2022-03-26T15:19:30","slug":"when-music-is-stronger-than-evil","status":"publish","type":"post","link":"https:\/\/classicallradio.com\/articles\/sr_RS\/2018\/01\/16\/when-music-is-stronger-than-evil\/","title":{"rendered":"\u041aada je muzika ja\u010da od zla"},"content":{"rendered":"<p><em>Pi\u0161e:<\/em> Jelena Jorga\u010devi\u0107<\/p>\n<figure id=\"attachment_6183\" class=\"thumbnail wp-caption alignleft\" style=\"width: 410px\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6183 size-medium\" src=\"https:\/\/classicallradio.com\/articles\/wp-content\/uploads\/2018\/01\/download-400x195.jpg\" alt=\"\" width=\"400\" height=\"195\" srcset=\"https:\/\/classicallradio.com\/articles\/wp-content\/uploads\/2018\/01\/download-400x195.jpg 400w, https:\/\/classicallradio.com\/articles\/wp-content\/uploads\/2018\/01\/download-1024x499.jpg 1024w, https:\/\/classicallradio.com\/articles\/wp-content\/uploads\/2018\/01\/download-768x374.jpg 768w, https:\/\/classicallradio.com\/articles\/wp-content\/uploads\/2018\/01\/download.jpg 1200w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption class=\"caption wp-caption-text\">Iz filma: &#8222;\u017divot drugih&#8220;<\/figcaption><\/figure>\n<p>\u201cNe znam da li bih umela da pi\u0161em o muzici\u201c, ka\u017eem mu. Posmatra me u ti\u0161ini, dok se pepeo odvaja od cigarete i pada na sto. Ne znam da li me je \u010duo ili su ponovo re\u010di ostale zagubljene u nekom me\u0111u-vremenu, trenutku kada se \u010dovek vra\u0107a iz sopstvene buke u buku drugih. I ne znam kako je mogu\u0107e da se onaj pepeo uvek odlomi tako blizu pepeljare, a da je opet ni ne okrzne. Ali on ne obra\u0107a pa\u017enju na to. \u041aao ni na kapi gorke kafe koje klize niz \u0161olju i flekaju razbacane papire. Ima ljudi \u010dija je misao mnogo br\u017ea od pokreta ruku.<\/p>\n<p>Nastavljam.<\/p>\n<p>\u201eNina Berberova u onoj biografiji o \u010cajkovskom pi\u0161e kako \u0107e se baviti njime, ali s obzirom da o muzici ne zna ni\u0161ta, njoj ne\u0107e posvetiti ni red. Se\u0107a\u0161 se? Meni se to dopada, po\u0161teno je prema \u010cajkovskom, po\u0161teno prema \u010ditaocima.\u201c<\/p>\n<p>\u201ePa u njenoj knjizi ima muzike, ponekad grube, ali ima je\u201c, ka\u017ee i hvata vazduh. Uvek to radi kada ho\u0107e ne\u0161to da objasni. \u010covek bi rekao, posmatraju\u0107i ga, da se zagrcnuo i da \u0107e krenuti da ka\u0161lje, glasno i silovito. Ali to su samo re\u010di koje se gomilaju u grlu.<\/p>\n<p>\u201eZnam da ne voli\u0161 nau\u010dno-fantastiku, ali ima u filmu Ekvilibrijum jedna zanimljiva scena. U budu\u0107nosti, sva ose\u0107anja su zabranjena. Svaki dan gra\u0111ani uzimaju dnevnu dozu leka koji ih iznutra umrtvljuje. I glavni junak, Preskot, jednog dana slu\u010dajno presko\u010di tu dozu. Tada kre\u0107e njegovo preispitivanje koji se zavr\u0161ava ru\u0161enjem sistema \u010diji je bio najodaniji poslu\u0161nik. Ali zna\u0161 kada prvi put zapla\u010de? Ulazi u ku\u0107u \u201eose\u0107ajnih prestupnika\u201c i pu\u0161ta plo\u010du. Betovenovu devetu simfoniju, prvi stav. Muzika kre\u0107e, njegove o\u010di postaju druga\u010dije i on po\u010dinje da se trese od jecaja. Tako je u nekoj zami\u0161ljenoj budu\u0107nosti Betoven pokorio orvelovski ko\u0161mar. Ho\u0107u da ka\u017eem, nije re\u010d samo o muzici, nego o \u017eivotu.\u201c<\/p>\n<p>\u201eMaksim Gorki pi\u0161e kako Lenjin priznaje da ne mo\u017ee da podnese da slu\u0161a Betovenovu <em>Appassionatu<\/em> zato \u0161to po\u017eeli da miluje ljude, a treba da ih bije bez milosti, da bi revolucija uspela\u201c, dodajem. I na pamet mi pada re\u017eiser koji je o toj re\u010denici razmi\u0161ljao godinama \u2013 \u201e\u0160ta da je neko naterao Lenjina da svakog dana slu\u0161a Strastvenu sonatu\u201c \u2013 sve dok taj isti re\u017eiser, Florijan Henkel fon Donersmark, nije napravio film \u201e\u017divot drugih\u201c. Tada je tra\u017eio od\u00a0 Gabrijela Jareda da mu, za potrebe filma, napi\u0161e kompoziciju koja bi u dva minuta mogla da odvrati Lenjina od svih zlo\u010dina koje je kasnije po\u010dinio. Tako je nastala <em>Sonata za dobrog \u010doveka<\/em>. U klju\u010dnom trenutku, agent \u0160tazija Vizler prislu\u0161kuje razgovor scenariste Drejmana i njegove devojke. Drejman je upravo saznao da se njegov prijatelj, koji je bio pod u\u017easnim pritiskom re\u017eima, ubio. Taj prijatelj mu je ne\u0161to ranije dao list papira na kojem je kompozicija. I Drejman svira, Vizler prislu\u0161kuje. Vizlerovo lice se menja, od one krutosti \u0160tazi agenta ne ostaje mnogo, sve je u njemu sna\u017eno potre\u0161eno, pomereno, probu\u0111eno&#8230; Zatim Drejman izgovara: \u201eDa li iko ko \u010duje ovu muziku, ali zaista je \u010duje, mo\u017ee i dalje da bude lo\u0161a osoba?\u201c \u041aasnije Vizler spa\u0161ava \u017eivot Drejmanu, za\u0161titiv\u0161i ga od tajne policije Isto\u010dne Nema\u010dke.<\/p>\n<p><iframe loading=\"lazy\" title=\"Gabriel Yared - The Lives of Others OST #6 - Die Sonate vom Guten Menschen\" width=\"697\" height=\"523\" src=\"https:\/\/www.youtube.com\/embed\/Aie_FOVKgfc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Sve to ho\u0107u da mu ka\u017eem&#8230; ali pre nego \u0161to nastavim, \u010dini mi se da se ti\u0161ina izme\u0111u nas preobra\u017eava u ne\u0161to drugo. I on \u010deka moje re\u010di, dok kafene mrlje prave \u010ditave figure na ispisanim papirima, kruni se pepeo kao odvi\u0161e sitna pahulja&#8230; I on \u010deka, a ja bih se mogla zakleti da odnekud kre\u0107e Peta simfonija \u010cajkovskog&#8230; i da, nije re\u010d samo o muzici, nego o \u017eivotu&#8230;<\/p>\n<p><iframe loading=\"lazy\" title=\"Tchaikovsky - Symphony No 5 in E minor, Op 64 - Mravinsky\" width=\"697\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/DfibXOGFQSo?start=60&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p>Pratite nas na fejsbuku<a href=\"https:\/\/www.facebook.com\/classicallradio\/?__tn__=%2CdK-R-R&amp;eid=ARBFRV0LPxBava4eT3c1Mwqx9zwjkLkxoSIw2Pu41p6A-JBtdp9J9gYqyBnHtMsTqPmNd_4-KOPGfTjH&amp;fref=mentions\"><strong>\u00a0ClassicAll \u2013 all the classics you can handle<\/strong><\/a><\/p>\n<p>i na YouTube kanalu\u00a0<strong><a href=\"https:\/\/www.youtube.com\/channel\/UCw6K5CuIayQJaHv5J-EVe-A\">ClassicAll Radio<\/a><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3872\" src=\"https:\/\/classicallradio.com\/articles\/wp-content\/uploads\/2020\/10\/27752179_1568838549874007_2833803894717066627_n-400x400.png\" sizes=\"auto, (max-width: 108px) 100vw, 108px\" srcset=\"https:\/\/classicallradio.com\/articles\/wp-content\/uploads\/2020\/10\/27752179_1568838549874007_2833803894717066627_n-400x400.png 400w, https:\/\/classicallradio.com\/articles\/wp-content\/uploads\/2020\/10\/27752179_1568838549874007_2833803894717066627_n-150x150.png 150w, https:\/\/classicallradio.com\/articles\/wp-content\/uploads\/2020\/10\/27752179_1568838549874007_2833803894717066627_n.png 450w\" alt=\"\" width=\"108\" height=\"108\" \/><\/p>\n<div class = 'socialMediaOnEveryPost'><div id=\"sgmbShare1-1\" class=\"sgmbShare jssocials-theme-classic sgmbWidget1-1\"><\/div><div class=\"dropdownWrapper dropdownWrapper1 dropdownWrapper-for-widget \" id=\"dropdownWrapper-for-widget\">\n\t\t\t\t\t\t<div class=\"dropdownLabel\" id=\"dropdownLabel-share-list\"><span class=\"sgmbButtonListLabel1\">Share List<\/span><\/div>\n\t\t\t\t\t\t<div class=\"dropdownPanel dropdownPanel1-1\">\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div><script>  SGMB_URL = \"https:\/\/classicallradio.com\/articles\/wp-content\/plugins\/social-media-builder\/\"; 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